Post Winter Solstice for flute, bass clarinet, violin and cello, performed by Exponential Ensemble
Trio for a Spry Clarinet, Weeping Cello and Ruminating Harp, performed by the Israeli Chamber Project
Doaa and Masa for harp solo, performed by Sivan Magen.
All Concert Music
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Chamber Works
Aylssa Katahara and Anya Garipoli, for whom the piece was commissioned by Coretet
Decoda, who premiered The Last Battle of King Sorrow
The Last Battle of King Sorrow
For flute, oboe, clarinet, French horn, bassoon, bass clarinet (2022)
18 minutes
Exponential Ensemble performing A Dark Matter
A Dark Matter
For alto flute, oboe, clarinet in A, piano (2022)
18 minutes
Exponential Ensemble, who premiered the piece
Post Winter Solstice
For flute/piccolo, bass clarinet, violin, cello (2022)
9 minutes
Exponential Ensemble premiering Dances of Peril in 2021
Dances of Peril
For clarinet in Bb, violin, cello (2020)
13 minutes
Exponential Ensemble premiering Dances of Peril in 2021
Danse Amaleque
Version for 2 violins (2019)
Version for violin and cello (2019)
5 minutes
The premiere of Moonrhymes by the Neubauer-McDermott family
Duo Diorama (MingHuan Xu and Winston Choi), who premiered Late Shadow in 2018
Israeli Chamber Project performing Firefly Elegy in Israel, 2017
Firefly Elegy
For clarinet in Bb, violin, viola, cello, and harp (2017)
12 minutes
Tre Voci (Marina Piccinini, Kim Kashkashian, Sivan Magen), who commissioned this arrangement
Suite from Romeo and Juliet (arrangement)
Arrangement of selections from Prokofiev’s ballet Romeo and Juliet for flute, viola and harp (2017)
Length: 18 minutes (movements may be played individually)
Ramapo College of New Jersey’s Production of Macbeth, which inspired Around the Cauldron
Apollo Chamber Players’ album, which features Three Goat Blues
Three Goat Blues
For string quartet (2015)
(alternate version: flute, violin, viola and cello)
14 minutes (or Short Goat Blues: stand-alone 4-minute excerpt)
Photo: Elana Smith
Jerusalem Stones
For string quartet (2012)
Length: 12 minutes (each of the two movements may be played individually)
Performance of the arrangement at the 2014 Pink Floyd Conference at Princeton University
Pink Floyd’s “Shine On You Crazy Diamond” - second half (arrangement)
Arrangement of Pink Floyd’s song for flute, oboe, string quartet, and piano (2012)
(alternative version: flute, clarinet in Bb, 2 violins, viola, cello, piano)
Length: 8 minutes
Cuatro Puntos’ album Jaipur to Cairo, which featuresTen Variations
Ten Variations
For oboe, string quartet, piano (2011)
(alternative version: clarinet in Bb, string quartet, piano)
Length: 14 minutes
Israeli Chamber Porject recording this piece
Trio for a Spry Clarinet, Weeping Cello, and Ruminating Harp
For clarinet in Bb (doubles bass clarinet), cello, and harp (2010)
12 minutes
The premiere of Quintet for Bass Guitar and Strings
Quintet for Bass Guitar and Strings
For string quartet and bass guitar (2008)
Length: 20 minutes (each movement may be played individually)
Solo Works
Circling Time
For piano solo (2018)
14 minutes (or Pulse: 6-minute version)
Doaa al Zamel (photo: Laurent Ziegler)
Nadav Lev, for whom The Rushing Camel was written
Richard Zimdars’ 2015 album featuring Ballade for Piano
Orchestral Works
Saucerful of Memories
Concerto for harp solo, string orchestra and French horn obbligato (2023)
Length: 25 minutes
Bein Ha-Shmashot
For symphonic orchestra (revised 2020)
Length: 14 minutes
Decoda, who premiered the piece with violinistt Miranda Cuckson as the soloist
Performance at Royal Conservatory of The Hague by Martha Elliot and Princeton University Orchestra (Cond. Michael Pratt)
Dragon Mother
Monodrama for amplified soprano and symphonic orchestra (2013)
Length: 17 minutes
Lyrics: Sean Patterson
Performance by Mannes College Orchestra, 2007
Al Mishkavi Ba-Leylot II
For SATB chorus and chamber orchestra (2005)
Length: 6 minutes (Can be played jointly with Al Mishkavi BaLeylot I for SATB choir a-cappella)
Lyrics: Song of Songs (liturgical, Hebrew)
Choral Works
Reading performance of Hashiveinu at Mannes College
Hashiveinu
For SATB chorus (2008)
Length: 5 minutes
Lyrics: Lamentations (liturgical, Hebrew or English)
Thalamus Quartet, who premiered Al Mishkavi Ba-Leylot I
Al Mishkavi Ba-Leylot I
For SATB chorus a-cappella (2008)
Length: 3 minutes (Can be played jointly with Al Mishkavi BaLeylot II for SATB choir and orchestra)
Lyrics: Song of Songs (liturgical, Hebrew)
Choral Arrangements
Braca Baurh Choir performing Avinu Malkeinu in Belgrade
Avinu Malkeinu
For mixed choir SATB a-cappella (2008)
Length: 2 minutes
Lyrics: Liturgical (Hebrew) / Melody: Traditional / Arrangement: Gilad Cohen
Abbey Road’s Second Medley
For mixed choir SATB and piano (2007)
Length: 7 minutes
Lyrics and music: Lennon/McCartney / Arrangement: Gilad Cohen
Abbey Road’s First Medley
For mixed choir SATB and piano (2006)
Length: 8 minutes
Lyrics and music: Lennon/McCartney / Arrangement: Gilad Cohen
The Ankor Choir (cond. Dafna Ben-Yohanan), who premiered Kemo Galgal arrangement
Kemo Galgal
For womem’s choir (SMsA) or mixed choir SAT a-cappella (2005)
Length: 3 minutes
Lyrics: Ehud Manor (Hebrew) / Music: Matti Caspi / Arrangement: Gilad Cohen
Mizmor Layla (Night Psalm)
For mixed choir SATB a-cappella (2003)
Length: 3 minutes
Lyrics: Leah Goldberg (Hebrew) / Music: Achinoam Nini and Gil Dor / Arrangement: Gilad Cohen
Gymnassia Rehavia 2002 Choir, who premiered Yesh Li Sikui
Yesh Li Sikui
For woman’s choir (SMsA) or mixed choir (SAT) a-cappella (2002)
Length: 4 minutes
Lyrics and music: Evyatar Banai (Hebrew) / Arrangement: Gilad Cohen
Hen Efshar
For woman choir (S/Ms/A) and piano (2002)
Length: 4 minutes
Lyrics: Haim Hefer (Hebrew) / Music: David Zehavi / Arrangement: Gilad Cohen
Ha-Ayara Bo’eret
For woman choir (S/MS/A) or mixed choir (SAT) a-cappella (1998)
Language: Yidish or Hebrew
Length: 3 minutes
Lyrics and music: Mordechai Gebirtig / Arrangement: Gilad Cohen